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Chloe Lamford trained in Theatre Design at Wimbledon School of Art. She won Best Design at the 2007 TMA awards for her design for Small Miracle by Neil D’Souza.
Chloe’s designs for theatre include:
Knives in Hens (National Theatre Scotland), Salt, Root and Roe (Donmar/Trafalgar Season), Disco Pigs (Young Vic), On The Record (Arcola Theatre), Rhetoric (Greyscale at the Almeida), Ghost Story (Sky Arts Live Drama season) written and directed by Mark Ravenhill , My Romantic History (Sheffield Crucible + The Bush Theatre), Joseph K. (Gate Theatre), Songs From A Hotel Bedroom (Linbury Studio ROH + Tour), Sus (Young Vic), It Felt Empty… (Clean Break, installation at Arcola’s Studio K), The Kreutzer Sonata (Gate Theatre), Everything Must Go! (Soho Theatre), This Wide Night (Soho Theatre + tour), The Mother Ship, How To Tell The Monsters From The Misfits (Birmingham Rep), The Country (Salisbury Playhouse), Desire Lines, The Snow Queen (Sherman Cymru), Blithe Spirit (Watermill Theatre); Antigone at Hell’s Mouth (Kneehigh Theatre and NYT); Silence, (Wilton’s Music Hall); Lola (Trestle Theatre Company); Small Miracle (Tricycle Theatre and Mercury Theatre, Colchester); The Wild Party (Rosie Kay Dance Company); The Shy Gas Man (Southwark Playhouse)
Her designs for opera include:
The Magic Flute (ETO), War and Peace (Scottish Opera + RSAMD), The Cunning Little Vixen and Orpheus in the Underworld (Royal College of Music), La Calisto for the Early Opera Company.
Chloe has also designed various music videos and promos, as well as The Full Monteverdi, an opera feature film by Polyphonic Films.
Upcoming productions include:
The Gate Keeper (Manchester Royal Exchange), An Appointment With The Wicker Man (National Theatre Scotland), The Radicalistation of Bradley Manning (National Theatre Wales).
